Looking for other ways to learn about diverse voices in music?
Visit and support these other projects promoting representation in music programming!
ORCHESTRAL/STRING
Founded by violinist Rachel Barton Pine, this organization seeks to bring awareness to the classical literature of Black composers and to inspire Black students to engage in the classical music landscape. The Living Composer Directory resource is an especially valuable tool for those looking to program diverse voices.
WIND BAND/CHORAL
Organized by Brian Messier, the Mexican Repertoire Initiative at Dartmouth increases exposure and representation of Mexican composers by commissioning and facilitating the creation of new works, releasing albums of Mexican repertoire with Urtext Digital Classics, and advocating for the inclusion of Mexican works on Prescribed Music Lists.
MIXED
Lisa Oman, of San Francisco Contemporary Music Players, runs this commissioning program designed to facilitate collaborative music commission opportunities for high school ensembles and American composers. Check out their past project and see how you can get involved by submitting an inquiry form.
MIXED
Founded by Gloria Yin, Joe Lerangis, and Rhianna Cockrell, New Muses includes an algorithmic database that recommends the music of historically marginalized composers based on your musical taste. The organization is also working to develop quality recordings and transcriptions of the historical works they uncover.
MIXED
Founded by Allyssa Jones, Rising Tide is a “no-profit” publisher of music for orchestral, wind band, and choral ensembles as well as chamber and solo works by BBIA (Black, Brown, Indigenous, Asian) composers within the first ten years of their professional career. Check out their online catalog as well as their Emerging Composer Competition.
WIND BAND
Created by Nikk Pilato (Associate Director of Bands at Indiana State), this is a comprehensive and crowd-sourced wiki of repertoire for the wind band. Scroll to the bottom of the homepage to find composer category filters including female composers, African American composers, and composers of international origins.
Founded by music educator, Brandi Waller-Pace, Decolonizing the Music Room is a nonprofit organization using research, training, and discourse to help music educators develop critical practices and challenge the established dominance of white Western European and white American music, practices, and narratives.
A New York City-based program designed to support local schools by providing performances, instruction, and professional development in multicultural music as a tool to promote global understanding, cultural awareness, and academic achievement. Visit their site to learn more and browse their publications!
This antiracist music theory webpage houses public domain scores by composers of color. Analytical notes are being made available, while a Google Sheet summarizes music theory topics that can be taught using the repertoire. This site will be continually updated with more resources for music theory instructors.
Created by Molly Murdock and Ben Parsell, the website contains music and music theory examples by women organized by composer and pedagogical concept as well as examples categorized by musical era. The site also hosts a blog, resource page, and a shop that includes their popular female composer poster series.
MIXED
IAWM was formed in 1995 and is currently headed by president Carrie Leigh Page. The organization is dedicated to fostering and encouraging the activities of women in music, particularly in the areas of musical activity such as composing, performing, and research in which gender discrimination is an historic and ongoing concern.
CHORAL/VOCAL
Created by Logan Contreras, Kassia Database is a resource for singers, teachers, performers, and the supporters of art song by women composers. The database includes songs from the Baroque period through the 21st century, categorized by level, voice type, language, composer, and composer dates.
SOLO/CHAMBER
Composer Kathryn Woodard established this organization that explores and promotes cross-cultural exchange through music. By offering ready-to-play sheet music of Turkish origins and educational materials on the genre, Sonic Crossroads seeks to foster the inclusion of this genre into more Western music performances.
MIXED
Listening to Ladies is a podcast produced by composer Elisabeth Blair. Episodes feature excerpts from interviews with femme composers, interwoven with samples of their work. Each interview covers two main themes: the composer's experience of being a woman in this field, and the composer's music & aesthetics.
Let us know about other resources for diversity in music to add to this page by filling out THIS FORM!